Skip to content
Question Vault?
Free to readNo accountNo email wallNo invented statisticsNo ads on medical, legal or end-of-life pagesCopy or print any set and take it with you
01 · Personal & Relational

Questions to Ask When High

Questions for a slow evening with friends: sensory ones to open with, funny and curious ones in the middle, a few that go somewhere quieter later. Includes notes on reading the room, keeping things comfortable for anyone feeling anxious, and which questions to leave alone.

22 questions · each with a note on why · conversation guide

The questions

Open any question for the note

  1. What does this song look like?

    Why ask it

    A good first question because there is no wrong answer and nobody has to be clever. People answer with colours, weather, rooms, or a specific place, and once someone has said something odd out loud the rest of the conversation gets easier.

  2. What is the strangest thing in this room if you actually look at it?

    Why ask it

    Anchors the conversation in what is physically around you, which is where attention already is. Everyday objects, plug sockets, door handles, the pattern on a mug, get genuinely peculiar under inspection, and this usually produces the first real laugh of the night.

  3. What food would you want to appear in front of you right now?

    Why ask it

    Deceptively good, because the answers are vivid and specific and everybody has one. It also tends to reveal comfort foods and childhood ones rather than impressive meals, which opens onto where somebody grew up without asking directly.

  4. What is a word that has always sounded wrong for what it means?

    Why ask it

    Language goes slippery in exactly this setting, so this one lands well and stays light. Expect people to repeat a word until it stops meaning anything, which is half the fun and needs no follow-up from you.

  5. What is the best texture in the world?

    Why ask it

    Almost nobody has been asked, and everyone turns out to have a firm opinion: cold sheets, wet sand, a dog's ear. Sensory questions like this are the most reliable way to get a quiet person talking, because they require memory rather than performance.

  6. What smell takes you straight back somewhere?

    Why ask it

    Smell tends to bring the whole scene with it, so the answers arrive as small stories rather than single words: a grandmother's kitchen, a swimming pool, a particular petrol station. Follow the place rather than the smell and you have twenty minutes.

  7. What did you love as a kid that you have not thought about in years?

    Why ask it

    Warmer than a general question about childhood and much easier to answer, since it only asks for one forgotten thing. It often produces the detail that makes everyone else remember their own version, which is when a conversation stops being turn-taking.

  8. What is the funniest thing you have ever seen actually happen?

    Why ask it

    Ask for something witnessed rather than a joke, which rules out repertoire and forces a real memory. Be ready to tell yours first, because the first person to go sets how long the stories are allowed to be.

  9. What is something small you are weirdly good at?

    Why ask it

    The word small is the important part: it gives permission for parallel parking, whistling, or guessing the time. These answers are more revealing and much more fun than talents, and people are usually pleased to be asked about a skill nobody credits.

  10. What animal would you be terrible at being?

    Why ask it

    Funnier than the usual version because it invites self-deprecation rather than self-flattery. The reasoning people give is where the humour is, and it stays comfortable for anyone who does not want to say anything about themselves directly.

  11. If your life had a narrator, what would they sound like?

    Why ask it

    Gets at self-image sideways, and the answers range from a nature documentary to a bored sports commentator. It also tends to become a running joke for the rest of the evening, which is a good sign in any conversation.

  12. What is a rule everybody follows that nobody ever agreed to?

    Why ask it

    This one gets genuinely interesting: standing a certain distance apart, not talking in a lift, saying you are fine. Expect a slow start and then several answers at once, and be prepared for the conversation to stay here for a while.

  13. What would you do with a completely free day and no phone?

    Why ask it

    More concrete than asking what someone wants from life, and the answer arrives in real hours rather than ambitions. Notice whether the day they describe is one they could actually have next weekend, since people often surprise themselves with that.

  14. What do you think you will be nostalgic for in twenty years?

    Why ask it

    Turns nostalgia forwards, which is unfamiliar enough to make people think. Answers usually point at the ordinary parts of now, a shared flat, a bad job, this exact sort of evening, and it tends to make the room fonder of the present.

  15. What is the nicest thing a stranger has ever done for you?

    Why ask it

    A gentle way to move somewhere sincere without asking anyone to be vulnerable about themselves. The stories are often very small and quite affecting, and this is a good question to reach for if the mood has gone a bit flat or brittle.

  16. What is something you have changed your mind about without noticing?

    Why ask it

    Harder than it sounds, so leave room for a long pause. What comes out is usually about a person, a place, or a belief someone was raised with. If nobody has an answer, let it go rather than pressing, and move to something lighter.

  17. What do you think about just before you fall asleep?

    Why ask it

    Quieter and more intimate than it looks, and it lands differently late at night than it would at a dinner table. Answers range from a to-do list to the same memory for years, and it deserves a real pause afterwards rather than an immediate turn to the next person.

  18. Who do you think about more than they would ever guess?

    Why ask it

    Almost everyone has someone: a teacher, a friend who moved, someone who died. Ask it once and then stop, because the value is in the person's own recognition rather than in an explanation. Some people will just say a name, and that is a complete answer.

  19. What is something you wish people asked you about?

    Why ask it

    A rare question that improves the rest of the evening, because the answer is a direct instruction about what someone wants to talk about. Then actually ask them about it, which is the part people usually forget to do.

  20. What is the best thing that happened today, even if it is tiny?

    Why ask it

    Works in any mood and requires no depth, which makes it useful for winding down or for pulling the conversation back if it has drifted somewhere heavy. Insisting on tiny is what stops people from saying nothing much.

  21. What do you think happens after we die?

    Why ask it

    The one everybody reaches for, and it goes better late, when people are settled, than early. Read the room first: with someone anxious or recently bereaved this is not a fun tangent, and if the answers get uneasy, change the subject deliberately rather than following it further.

  22. What do you want to remember about tonight?

    Why ask it

    A good closing question, because it asks people to notice the evening while they are still in it. The answers are usually specific and small, and saying them out loud is what makes them stick better than any attempt to summarise afterwards.

Keeping the conversation good

Practical guidance for the conversation itself

How to ask

  • One question at a time, then wait. Long silences are part of the format, not a failure of it.
  • Answer your own question too. A question fired at someone with no offer from you feels like a test.
  • Follow the specific thing they said rather than moving to the next question on the list.
  • Let tangents win. The point is the conversation, not getting through the set.
  • Keep the volume of questions low. Four good ones over an evening beats twenty in an hour, which starts to feel like an interview.

Reading the room

Start sensory, not existential

Sound, texture, smell, food, and the objects in the room are easy to answer and put nobody on the spot. Save anything about death or regret for much later, if at all.

Watch for someone getting anxious

If a person goes quiet, tense, or preoccupied, drop the introspective questions entirely and go back to something concrete and mundane. Water, food, fresh air, a familiar film, and a change of subject all help more than talking it through.

Mind the asymmetry

If one person is considerably more affected than everyone else, they are not in a good position to be asked personal questions, and they may not remember answering them. Keep it light with them and revisit anything real another day.

Careful with first-timers

Someone new to this is already managing a lot of unfamiliar input. Questions about mortality, secrets, or whether life means anything are a poor addition.

Questions to leave alone

  • Anything asking for a secret nobody has told before. It gets answered more easily than it would sober, and regretted the next day.
  • Questions about someone's relationship, family conflict, or money, which are hard to end once opened.
  • Anything that puts a person on trial about a decision they have made, however gently it is phrased.
  • Health worries, grief, and past trauma, unless the person raised it themselves and clearly wants to talk.
  • Follow-up pressure of any kind. A shrug is an answer, and the correct response is to move on.

Practical bits

  • Have water and something easy to eat within reach before the conversation starts.
  • Put the phones somewhere out of sight. Nothing kills a slow conversation faster than three people scrolling.
  • If you want to remember an idea, say it into a voice note rather than trying to hold onto it.
  • Sit where people can see each other, and turn the overhead light off. Both change how much people say.
  • Decide early that nothing said tonight gets repeated tomorrow, and mean it.